American Theatre Wing, Downstage Center
October 2006
Pulitzer Prize-winner Marsha Norman compares the gathering and rituals shared by theatre and houses of worship; explains why she could never have written ‘night Mother now that she’s had children; talks about her specific goals in crafting the lyrics for “Lily’s Eyes” in The Secret Garden; considers whether playwriting has actual rules and can be taught; and compares the story of The Color Purple to the classic tale of Cinderella
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